| Activities 1998 |
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| 07 January 1998 |
Auditorium Banque de Luxembourg 20.00
The Artsong Collective presented works by Sir Michael Tippett, Alan Bush, Ronald Stevenson and Denis Aplvor. Moira Harris soprano, Wills Morgan tenor, Richard Black piano |
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| 14 January 1998 |
Tokyo - Sumida Triphony Hall
Concert organized by the Japan Federation of Composers with works by the Luxembourgish composers Marco Kraus and Marcel Wengler |
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| 28 January 1998 |
Auditorium Banque de Luxembourg 20.00
Works by Mary Finsterer, François Rossé, Brian Ferneyhough, Rico Gubler, Claude Lenners and Franco Donatoni. Duo “guitar & percussion” Mats Scheidegger guitar, Guy Frisch percussion |
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| 11 February 1998 |
Auditorium Banque de Luxembourg 20.00
The duo viola & tuba performed works by John Cage, Michael Jarrel, Garth Knox and Gérard Buquet. Duo “viola & tuba” Garth Knox viola, Gérard Buquet tuba |
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| 06 March 1998 |
Conservatoire de Musique Luxembourg 20.00
Symphony concert devoted to the works of contemporary women composers
Orchestre Philharmonique du Luxembourg Soloists : Sandrine Cantoreggi violin Vania Lecuit violin Béatrice Rauchs piano Conductor: Marcel Wengler |
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| 08 March 1998 |
Château de Bettembourg 16.00
Concert featuring chamber music by the women composers Galina Ustwolskaja, Grazyna Bacewicz, Ida Gotkovsky, Sofia Gubaidulina and Albena Petrovic. Ensemble LGNM: Sandrine Cantoreggi violin, Guy Goethals saxophone, Marc Hoffmann saxophone, Yannchen Hoffmann mezzosoprano, Carlo Jans flute, Patrick Krysatis tuba, Marcel Lallemang clarinet, Catherine Lebrun cello, Vania Lecuit violin, Marco Pütz saxophone, Béatrice Rauchs piano, Roland Schneider saxophone, Maurizio Spiridigliozzi accordion |
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| 24 March 1998 |
General Assembly of the LGNM
Presentation of the new Portrait-CDs of René Hemmer, Jeannot Heinen, Marcel Wengler and René Mertzig published by Editions LGNM. |
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| 17-25 April 1998 |
ISCM World Music Days 1998 in Manchester
Participation in the General Assembly of the International Society for Contemporary Music (ISCM) and the World Music Days 1998 in Manchester. |
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| 02 September 1998 | Radio Suisse Romande Presentation of the Luxembourg Society for Contemporary Music and the CD series Anthology of Luxembourgish Music by Marcel Wengler, live broadcasted by “Radio Suisse Romande” in Geneva. |
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| 30 September 1998 | Auditorium Banque de Luxembourg 20.00 The Ensemble peärls before swine experience performed works by Jouni Kaipainen, Göran Gamstorp, Per Martenson, Apostolos Dimitrakopulos, Glenn-Erik Haugland, James Clarke, Antonio Pinho Vargas, Svenn Hvitdfelt Nielsen and Atli Heimir Sveinsson. World-première of Pearls Quartet by Marcel Wengler. “peärls before swine experience” Anders Jonhäll flute, George Kentros violin, Mats Olofsson cello, Marten Landström piano |
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| 23 October 1998 | Classics of the 20th Century Hans Werner Henze (*1926) Symphonic works by Hans Werner Henze Sinfonische Zwischenspiele aus „Boulevard Solitude“ Erstes Konzert für Violine und Orchester Erste Suite aus dem Ballett “Undine” Orchestre Philharmonique du Luxembourg Soloist : Felicia Terpitz violin Conductor: Marcel Wengler Supported by IBM |
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| 22 November 1998 | Galerie Fred Becker - Luxembourg 11.00 Works by Jiri Gemrot, Pavel Novak, Zdenek Lukas, Alfred Schnittke, Jeannot Sanavia, Thomas David, Jean-Luc Darbellay (world première) Duo di Basso Frantisek Host cello, Jiri Hudec double-bass |
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| 29 November 1998 | Galerie Fred Becker - Luxembourg 11.00
Duo “Arpa & Flauta “ Lars Graugaard flute, Sofia Asunción Claro harp |
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| 13 December 1998 |
Galerie Fred Becker - Luxembourg 11.00
Duo Klardeon Marcel Lallemang clarinet, Maurizio Spiridigliozzi accordion |
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| Activities 1999 |
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| 27 January 1999 |
Piano Solo!
Piano-Recital by Marcel Cominotto at the “Bibliothèque Nationale” in Luxembourg with works by Béla Bartók, Henri Pousseur, Claude Lenners, Arnold Schoenberg and Michel Fourgon. |
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| 10 February 1999 |
Piano Solo!
Piano-Recital by Tatiana Smelova at the “Bibliothèque Nationale” in Luxembourg with works by Arvo Pärt, Alexander Mullenbach and Urmas Sisask. |
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| 03 March 1999 |
Piano Solo!
Piano-Recital by Béatrice Rauchs at the “Bibliothèque Nationale” in Luxembourg with works by Victor Fenigstein, Sofia Gubaidulina and Maurice Ohana. |
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| 17 March 1999 |
Bibliothèque Nationale – Luxembourg
Presentation of the new CD “Music for clarinets” The clarinet sextet Claritmico performed works by Roland Wiltgen, Marcel Wengler, Claus Krumlovsky, Walter Civitareale and Luc Grethen. |
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| 31 March 1999 |
Hommage à Harald Genzmer
The LGNM celebrated the 90th birthday of Harald Genzmer.
Luxembourg Saxophone Quartet Claritmico clarinet sextet Romain Gross clarinet, Nadine Kauffmann saxophone, Patrick Krysatis tuba, Béatrice Rauchs piano |
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| 25 September 08 October 1999 |
ISCM World Music Days 1999 - Romania
Participation in the General Assembly of the International Society for Contemporary Music (ISCM) and the World Music Days 1999 in Romania. Transilvania Philharmonic Orchestra World-première of the Violin Concerto by Marcel Wengler Soloist: Dorina Mangra violin Conductor: Remus Georgescu |
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| 22 October 1999 |
Classics of the 20th Century
Maurice Ohana (1914-1992)
Orchestre Philharmonique du Luxembourg Soloists : Sylvie Sullé mezzosoprano Sonia Wieder-Atherton cello Conductor: Arturo Tamayo Supported by IBM |
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| Activities 2000 |
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| 29 January 2000 |
Villa Louvigny - Luxembourg 20.00
The LGNM celebrated the 80th birthday of the Luxembourgish composer René Hemmer.
ETHOS String Quartet Audur Hafsteinsdóttir violin Greta Gudnadóttir violin Gudmundur Dristmundsson viola Bryndis Halla Gylfadóttir cello |
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| 13 February 2000 |
Villa Louvigny - Luxembourg 17.00
For this first concert of the Luxembourg Sinfonietta the LGNM launched an appeal on its website for composers the whole world over to write pieces for the new ensemble. From the works sent in, the musicians of the Luxembourg Sinfonietta selected 8 compositions for the first performance.
Luxembourg Sinfonietta Conductor: Marcel Wengler World Premiere Recordings published by Editions LGNM (No 401) |
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| 16-21 June 2000 |
IAMIC Annual Congress - Budapest
Participation in the annual Congress of the “International Association of Music Information Centres” (IAMIC) in Budapest. |
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| 29 September 08 Octobe 2000 |
ISCM World Music Days 2000 - Luxembourg
The World Music Days of the International Society for Contemporary Music have been hosted every year by the great cities of the world since 1923. This international festival is thus not only the oldest forum for contemporary music in existence anywhere, the way it is programmed certainly makes it one of the most successful events for the music of our time. No other festival offers such a variety of aesthetic and stylistic contributions to the art of composition from the most varied cultural spheres world-wide. The significance of the World Music Days is also reflected in the large number of compositions submitted from all over the world. In the summer of 1999, an international jury selected the works for performance from over 750 scores. During the World Music Days of the year 2000, the works of no less than 134 composers, coming from 52 countries from all five continents, were performed by the most celebrated orchestras, soloists and ensembles. The huge success of these World Music Days, however, is due to the enthusiastic, curious and, in particular large audience. More than 10.000 visitors attended the various concerts or discovered the sound-installations. Thanks to the selection of venues in all the regions of Luxembourg, we were able to attract a public which until then had had little opportunity to discover contemporary music. The 29 events in 22 concert halls in 12 different localities thus attracted a broad public in the “three-country corner” SaarLorLux. |
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| 29 September 2000 |
Cercle Municipal - Luxembourg 18.00
Schweizer Kammerorchester Soloists: Marius Ungureanu viola, Carlo Jans flute Conductor: Klaus Arp To everyone’s gratification and surprise, the opening concert of the World Music Days 2000 was sold out to the very last seat. There appear to be more and more enthusiasts for contemporary music in Luxembourg too. Alain Steffen - Tageblatt |
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| 30 September 2000 |
Cercle Municipal - Luxembourg 11.30
Ensemble Antipodes Egidius Streiff violin, Hyungjong Kang violin, Mariana Doughty viola, Imke Frank cello, Daniella Giacobbo double-bass, Markus Niederhauser clarinet, Olivier Darbellay horn, Marc Kilchenmann bassoon |
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| 30 September 2000 | Cercle Municipal - Luxembourg 13.00
Quatuor de Saxophones de Luxembourg and Annie Kraus piano, Garry Müller piano, Olivier Sliepen saxophone, Guy Goethals saxophone |
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| 30 September 2000 | Cercle Municipal - Luxembourg 13.00 – 17.00 In order to perform Morton Feldman’s 4-hour long composition For Philip Guston without any break whatsoever, and at two places 18 km apart, Marcel Wengler, the Artistic Director of the Festival, hit on the idea of a musical transplantation which would not be without its effect on the public. Rather like a complicated surgical transplantation of an organ, a “living” piece of music, as well as the performers, were “transplanted” from the Cercle Municipal in Luxembourg to the Municipal Theatre in Esch. “Das Neue Ensemble” - Hannover Markus Hufschmidt flute, Christian Schulte piano and celesta, Stephan Meier percussion |
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| 30 September 2000 | Conservatoire de Musique Esch-sur-Alzette 16.00
Ensemble “Pearls Before Swine Experience” Sara Hammarström flute, George Kentros violin, Mats Olofsson cello, Marten Landström piano “Feuilles à travers les cloches” by French spectralist, Tristan Murail, currently residing in New York, marked a sharp contrast to most of the other pieces on the program. It is a delicately textured and gently lyrical piece, with an assortment of gentle pianissimo effects for the instruments, utilized with great taste to create a wonderful, well thought-out piece of great emotional breadth, performed with great taste and refinement. “21 Century Music” – American Journal |
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| 30 September 2000 | Théâtre Municipal Esch-sur Alzette 19.30 “Der Gelbe Raum“
“Das Neue Ensemble” - Hannover Soloists: Annette Robbert soprano, Annina Papazian mezzosoprano, Thomas Holzapfel baritone Conductor: Eberhard Kloke One of the most important events of the festival was the presentation of the musical-theatrical production of Eberhard Kloke “Der Gelbe Raum” – a notable piece of “Gesamtkunstwerk” of the 21st Century. Its aim was to create a certain type of syncretic performance, which was to combine music, lighting effects and video presentation. “The Musical Overview” - Moscow |
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| 30 September 2000 | Kulturfabrik - Esch-sur-Alzette 23.00 Akusmatisches Konzert mit Elektronischer Musik, wiedergegeben auf einem 24-Kanal-Akusmonium und interpretiert durch Tänzer des Theater Basel unter der Leitung von Jean-Guillaume Weis.
Tanztheater Basel Tänzer: Sophie Faudot, Randi De Vlieghe, Jean-Guillaume Weis |
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| 01 October 2000 | Théâtre des Capucins - Luxembourg 11.00 A performance featuring live electronic music by the B.E.A.M Basel Electric Art Messengers and guests.
Basel Electric Art Messengers and guests Sylvia Nopper soprano, Matthias Würsch percussion and piano, Wolfgang Heiniger percussion and live–electronics, Thomas Kessler live-electronics, Marcus Weiss saxophone, Anton Kernjak piano, Lanet Floers Otero clarinet, Julia Schröder violin, Karin Löffler violin, Natalja Alexandrowa viola, Michael Keller cello Conductor: Thomas Kessler |
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| 01 October 2000 | Château de Vianden 16.00
Ensemble Continuum New York Wonjung Kim soprano, David Gresham clarinet, René Jolles violin, Kristina Reiko Cooper cello, Cheryl Seltzer piano Conductor: Joel Sachs On Sunday afternoon we were taken to the beautifully restored medieval castle of Vianden. This structure embodies in “stone and mortar” the values of tradition and survival, but it seems to belie the changes and social turmoils which have also been part of its life through some eight centuries. In one of the halls of this fairy-tale castle, the Continuum Ensemble of New York, director Joel Sachs, played works mostly within a tradition of Western New Music. It took Francis Schwartz, an American composer and noted “polyartist”, to open the window on this occasion to let in a breath of fresh air. For his “Diamon II” the performers had to communicate through body language beyond their particular musical instruments. Rhythmic audible breathing, clapping and stamping added to the sound picture. Grimacing, including silent screaming, made us aware that what is not articulated in a given context is as important as what is worked out explicitly and audibly. The audience was drawn into the performance by Joel Sachs, encouraged to participate with loud breathing and noisy stamping. Seen and Heard Festival Review – Dr Peter Grahame Woolf |
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| 01 October 2000 | Eglise St-Michel - Luxembourg 17.00
Ensemble Antipodes Egidius Streiff violin, Hyungjong Kang violin, Mariana Doughty viola, Olivier Darbelley cello and horn, Daniella Giacobbo double-bass, Markus Niederhauser clarinet and Alain Wirth organ, Charles Consbruck trumpet |
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| 01 October 2000 | Eglise Pierre et Paul - Echternach 20.30
Arditti String Quartet Irvine Arditti violin Graeme Jennings violin Dov Scheindlin viola Rohan de Saram cello Supported by the British Council and part of the International Festival Echternach The Arditti Quartet always plays with the same extraordinary consistency, arising from a skilful blend of transcendental technique, splendid sonority and expressive ardour. The unstinting enthusiasm of the Arditti is not of a kind of which the listener tires, and the stunning variety of universes of sound (however unprecedented) into which they lead us in the course of this beautiful journey to the end of the quartet in our own day, creates a strange fascination to which one surrenders unresistingly. José Voss – Letzebuerger Land |
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| 02 October 2000 | Conservatoire de Musique Luxembourg 20.00
Ensemble Intercontemporain – IRCAM Solistes : Emmanuelle Ophèle flûte Midi Sophie Cherrier, Marine Perez flûtes Jean-Jacques Gaudon trompette Direction: Jonathan Nott What would a major festival of contemporary music at the highest level, such as World Music Days, be without the participation of one of its most eminent exponents, the Ensemble Intercontemporain? If this music touches us, it does so first and foremost thanks to the musicians of the Ensemble, galvanized by the likes of Jonathan Nott, whose meticulous work and expertise are entirely on a par with those of the composer. José Voss – Letzebuerger Land |
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| 03 October 2000 | Cercle Municipal - Luxembourg 12.30 Auftragswerke des Deutschen Pavillons, EXPO 2000 Hannover
Luxembourg Sinfonietta Ruth-Maria Nicolay Sopran Assaf Levitin Bariton Nicholas Isherwood Baß Leitung: Marcel Wengler For the appearance of the Luxembourg Sinfonietta, its director Marcel Wengler had devised a programme of three works dealing from different viewpoints with the fallen angel Lucifer. The orchestra’s unusual composition (flute, clarinet, two saxophones, horn, bass tuba, two violins, three cellos, accordion, percussion and synthesiser) clearly inspired a number of composers. Theo Brandmüller had his text declaimed forcefully by Assaf Levitin, and Claude Lefebvre was sparing with his instrumentation (horn, clarinet, accordion and cello) but the four players made a powerful impression in support of Nicholas Isherwood (bass). Marcel Wengler, who had to divide himself between about six full-time tasks to keep the event afloat, had compiled his text for “Der unbekannte Engel” from several authors; it was sung by soprano Ruth-Maria Nicolay, to acclamation. Dr. Peter Grahame Woolf – Seen and Heard, London |
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| 03 October 2000 | Conservatoire de Musique Luxembourg 16.00
Orchestre De Flûtes Français Soliste : Pierre-Yves Artaud flûte Direction : Pierre-Alain Biget |
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| 03 October 2000 | Deutsche Bank Luxemburg 19.00
Prague Chamber Orchestra Soloists: Ladislav Kozderka trumpet David Svec piano Conductor: Ondrej Kukal Supported by „Deutsche Bank Luxemburg“ |
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| 04 October 2000 | Château de Clervaux 11.00
Ensemble Saxas Guy Goethals sax soprano, Nadine Kauffmann sax alto, Leana Sealy sax alto, Olivier Sliepen sax tenor, Roland Schneider sax bariton, Pascal Schumacher percussion, Maurizio Spiridigliozzi accordion |
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| 04 October 2000 | Eglise de Marnach 15.00
Carlo Jans flute Vania Lecuit violin |
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| 04 October 2000 | Vieille Eglise St-Laurent - Diekirch 17.00
ARTA Woodwind Quintet Ariel Zuckermann flute, Manuel Bilz oboe, Richard Obermayer clarinet, Till Heine bassoon, Alexander Boruvka horn Flute Trio Lena Frieden, Carine Forget, Carlo Jans |
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| 04 October 2000 | Centre des Arts Pluriels - Ettelbruck 20.00
Ensemble Modern Leitung: Dominique My Mit der Unterstützung des Auswärtigen Amtes der Bundesrepublik Deutschland und unter der Schirmherrschaft des Botschafters der Bundesrepublik Deutschland. |
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| 05 October 2000 | Cercle Municipal - Luxembourg 12.30
Grand Orchestre D’Harmonie Des Guides Direction : Norbert Nozy |
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| 05 October 2000 | Arsenal Metz 20.30
Orchestre Philharmonique du Luxembourg Soloists : Béatrice Rauchs piano Celina Lindsey soprano Roland Hermann baritone Conductor : Fabrice Bollon |
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| 06 October 2000 | Villa Louvigny - Luxembourg 12.30
MusikFabrik Leitung: James Avery Gefördert vom Ministerium für Kultur und Sport des Landes Nordrhein-Westfalen und der Stiftung Kunst und Kultur NRW. „Approaches“ – Günter Steinke The quiet opening of this piece immediately gets under the listener’s skin. The soft knocking sounds, located on the verge of inaudibility, make it expand to become an infinite auditory space, and the frequent pauses grow into gigantic arenas of experience. And when the strings add a vague web of sound, softly, as if on tiptoe, and in a very high register, with oboes, cymbals and piano contributing their own muted input, and when the entire fragile structure veers off into a no-man’s-land between sound and noise, this soft-spoken work remains breathtakingly concise and exciting. Thomas Rath – Trierischer Volksfreund |
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| 06 October 2000 | Stadtgalerie Saarbrücken 17.00
Miso Ensemble Paula Azguime flute, Miguel Azguime percussion, Alain Neveux piano and Guy Goethals saxophone, Leana Sealy saxophone, Tosya Suzuki recorder |
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| 06 October 2000 | Funkhaus Halberg, Großer Sendesaal - Saarbrücken 20.00
Sinfonieorchester des Saarländischen Rundfunks Solisten: Ksenija Lukic Sopran Christoph Späth Tenor Yaron Windmüller Bariton Leitung: Oswald Sallaberger |
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| 07 October 2000 | Orangerie Domaine Thermal - Mondorf-les-Bains 11.00 Three Monothematic Pieces Ljubo Rancigaj Prélude et fugue Vladimir Bokes Portrett Nr. 6 Snorri Sigfús Birgisson Ciurlionis’s Sketches Anatolijus Senderovas Enigma Lucia Alvarez Where two become one Nurit Jugend Violin & Piano Béatrice Rauchs piano Vania Lecuit violin |
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| 07 October 2000 | Eglise Ehnen 14.30
Soloists: Mariette Lentz soprano Aude Rocca-Serra harp Isabelle Kaiser flute Dimitris Marinos mandolin …at the village of Ehnen for a concert in the octagonal and domeroofed local church featuring soprano Mariette Lentz, Luxembourg’s answer to Cathy Berberian, and how! Her performance of Berio’s “Sequenza III” was a beguiling and mischevious as I ever heard it. The rather dry title of American Craig First’s “Contrapuntal Variations” belied the astonishing complexity and virtuosity of this solo mandolin piece played with consummate skill by Greek Dimitris Marinos. The concert finished with beautifully conceived “Serenade” for soprano and harp by another woman composer, Japanese Harue Kunieda. Jolyon Laycock – Seen and Heard, London |
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| October 2000 | Conservatoire de Musique Luxembourg 20.00
BBC Symphony Orchestra London Soloists: Shi Min Peking opera actress Nancy Lundy soprano Zehuai Zhang puppeteer Conductors: Pascal Rophé, Tan Dun A brilliant concert to conclude World Music Days in Luxembourg “The stations of the sun” by the British composer Julian Anderson, a lively and subtle piece of music showing once again that nowadays they can all produce colourful and brilliant orchestration. Hans Bünte – Saarbrücker Zeitung
Thomas Rath – Trierischer Volksfreund
José Voss – Letzebuerger Land |
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| 29 Sept – 8 Oct | Casino Luxembourg - Forum d’art contemporain Galerie Editions Simoncini Luxembourg Musée National d’Histoire Naturelle Sound Installations
Presented in association with the Gaudeamus Foundation and Fondation suisse pour la culture Pro Helvetia |
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| 27 October 2000 | Teatro Municipal Miguel De Cervantes - Málaga 21.00 Symphonic concert featuring music from “Benelux” Belgium – Netherlands - Luxembourg
Orquesta Ciudad de Málaga Soloist: Alyssa Park violin Conductor: Alexander Rahbari |
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| 17 November 2000 |
Classics of the 20th Century
Allan Pettersson (1911-1980)
Orchestre Philharmonique du Luxembourg Soloist: Philippe Koch violin Conductor: Alun Francis Supported by IBM |
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Furthcoming Concerts click Events Calendar ! |
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